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Vee Speers Australian, b. 1962

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Open a larger version of the following image in a popup: Vee Speers, Immortal #7, 2010
Open a larger version of the following image in a popup: Vee Speers, Immortal #7, 2010
Open a larger version of the following image in a popup: Vee Speers, Immortal #7, 2010
Open a larger version of the following image in a popup: Vee Speers, Immortal #7, 2010
Open a larger version of the following image in a popup: Vee Speers, Immortal #7, 2010

Vee Speers Australian, b. 1962

Immortal #7, 2010
Series: Immortal
C-Type print
100 x 144 cm
39 3/8 x 56 3/4 in
Edition of 6 plus 2 artist's proofs
66 x 95 cm
26 x 37 3/8 in
Edition of 8 plus 2 artist's proofs
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Further images

  • (View a larger image of thumbnail 1 ) Vee Speers, Untitled #18, 2007
  • (View a larger image of thumbnail 2 ) Vee Speers, Untitled #18, 2007
  • (View a larger image of thumbnail 3 ) Vee Speers, Untitled #18, 2007
  • (View a larger image of thumbnail 4 ) Vee Speers, Untitled #18, 2007
  • (View a larger image of thumbnail 5 ) Vee Speers, Untitled #18, 2007
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'We all think about our mortality but cannot imagine growing old. Our society is obsessed with freezing time and avoiding the inevitable death and decay as long as possible. Vee...
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"We all think about our mortality but cannot imagine growing old. Our society is obsessed with freezing time and avoiding the inevitable death and decay as long as possible. Vee Speers plays to these age-old sensibilities and timeless longings while riffing on the very contemporary convergence of similar ideas, ideals, and forms that have invaded our consciousness in our media-driven, technology-rich consumer cultures.
At once alluring and disquieting, these portraits of naked beautiful youths are set against backdrops of Eden-like natural beauty, or scenes of post-apocalyptic destruction. They are young and beautiful, but they seem isolated, exposed and vulnerable, trapped, distant, on guard, defiant, all alone in a strange land, and confronted by echoes of subliminal fears and insecurities. With the smooth gloss sheen of fashion-model perfection Speers has created a new world that merges Mona Lisa charm and mystery, with the melancholy of Dorian Gray.
The surface is loaded with references to both to classical art, and to perfection of youthful beauty that has become the everyday obsession of western culture. These Immortals are all like tragic fallen angels, eyes opened with animal intelligence, looking out onto an uncertain future, not even aware of how perfectly beautiful they appear to be right now."
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