Until June 26th, 2022, Echo Fine Arts is very proud to present "Birds" by renowned British photographer Tim Flach.
Birds of the world are portrayed in all their colorful glory through a selection of 20 limited editions fine art photographs from his recently published book entitled "Birds", published by Abrams (available in our store).
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“The crux of things is that we’ve got to engage people,” says Tim Flach. “There’s a question of how we connect people with nature - how we engage them, how we depict animals so that it leads to something constructive. You have to grab peoples’ attention, but you also have to make them care, make them have an empathy that leads to a conservation outcome. There has to be a really significant story that enables or empowers people to take appropriate action.”
Tim Flach
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About Tim Flach
Biography -
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Since the beginning of his career, Flach has contributed to academic research into how photographs of animals impact on their audiences. In 2020 he published a study with two social scientists, Professors Cameron Thomas Whitley and Linda Kalof, which used empirical evidence to show that anthropomorphic animal portraits promote empathy. Flach has been invited to speak at conferences such as The Zoological Society of London and St Petersburg International Economic Forum, and has lectured at universities worldwide. He has also contributed to books and group projects, including Surveying the Anthropocene: Environment and Photography Now, which was published by Edinburgh University Press in 2021, and A Cabinet of Curiosities for the Anthropocene, published by Chicago Press in 2018.
Tim Flach graduated from St Martins College in 1982; in 2013, he was awarded an Honorary Doctorate from the University of the Arts, London. -
Iconic Photographs
from previous series -
EQUUS
2008Def. : the family of animals that goes from Ass to Zebra, but is mostly Horses.
No animal has captured the Human imagination quite like the horse, first depicted in cave drawings thousands of years ago through to countless renderings in paint, clay, ink and film. My quest to document the horse has resulted in EQUUS, my first series. Intended as an exploration of the species in its own right - captured as solitary subject and en masse; from the air and underwater - EQUUS celebrates the animal whose history is so powerfully linked to our own. From exquisite Arabians in the Royal Yards of the United Arab Emirates to Icelandic horses in their glacial habitat; from the soulful gaze of a single horse’s lash-lined eye to the thundering majesty of mustangs racing across the plains of Utah, EQUUS provides a unique insight into the physical dynamics and spirit of the horse.
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DOG GODS
2010This is the tale of our oldest, most faithful friend, the species that came in from the cold more than 15,000 years ago to keep us company and share our food. These incredibly adaptable animals extend our senses, make us more successful and happier, do our work in the country and the city; they are tough enough to haul us for days across icy wastelands and delicate enough to snooze gently in the warming of an elegant lap. They can entertain us, protect us, teach us how to love, do what they are told, and tell us what is going to happen next. They can even extend our lives. We think we train them to do the work but they have in turn found a way for us to provide for them. This great bond that has forged so many different forms of dog is the inspiration for this series. The result is an unprecedented insight and visualization of what dogs are and can be. Now new ways of living and new findings in research reveal our relationship with these much-loved creatures is even more intense and vital than we previously thought. In insightful stories and eye-opening images, Dogs Gods shows us that our great companions may not only be remarkable as dogs they can also hold the key to new understandings of what it is to be Human.
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MORE THAN HUMAN
2012"What underlines my work in this project, are the questions about how we shape nature and how it shapes us.”
By removing them from their natural environment and placing them in minimal studio–like settings, the images map over a style of Human portraiture.
Tim’s aim was to “illuminate the relationship between Human and non Human animals – to make an inquiry into how these relationships occupy anthroprocentric space. -
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ENDANGERED
2017Endangered is a «powerful visual record of remarkable animals and ecosystems facing harsh challenges ». This collection of images isn’t intended to be a registry of endangered species: «it is a unique experiment exploring the role of imagery in fostering an emotional connection with species and their habitats.» It will, Flach hopes «inspire, challenge, and inform» and hopefully acts as a springboard for positive action.
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BIRDS
2021 -
Working for years in his studio and in the field, internationally acclaimed photographer Tim Flach has portrayed nature’s most alluring creatures alertly at rest and dramatically in flight, capturing intricate feather patterns and subtle colouration invisible to the naked eye.
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"Birds just present such an array of colors, such different morphologies, I just wanted to explore the wonderment and the beauty of birds."
Tim Flach
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Birds
Video © New Scientist.com -
Birds of the world are portrayed in all their colorful glory through a selection of 20 limited editions fine art photographs from his eponymous book recently published by Abrams. Working for years in his studio and in the field, internationally acclaimed photographer Tim Flach has portrayed nature’s most alluring creatures alertly at rest and dramatically in flight, capturing intricate feather patterns and subtle colouration invisible to the naked eye. Radiating grace, intelligence, and humor, and always in motion, birds tantalize the human imagination. Working for years in his studio and the field, Tim Flach has portrayed nature’s most exquisite creatures alertly at rest or dramatically in flight, capturing intricate feather patterns and subtle coloration invisible to the naked eye. From familiar friends to marvelous rarities, Flach’s birds convey the beauty and wonder of the natural world. Here are all manner of songbirds, parrots, and birds of paradise; birds of prey, water birds, and theatrical domestic breeds.
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“Birds were flying from continent to continent long before we were. They reached the coldest place on Earth, Antarctica, long before we did. They can survive in the hottest of deserts. Some can remain on the wing for years at a time. They can girdle the globe. Now, we have taken over the Earth and the sea and the sky, but with skill and care and knowledge, we can ensure that there is still a place on Earth for birds in all their beauty and variety — if we want to… And surely, we should.”
— Sir David Attenborough
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Waders & Waterbirds
"Birds have been tremendously successful at colonizing aquatic habitats, and they have evolved every imaginable manner of aquatic foraging—probing, seizing, scooping, filtering, skimming, and more. "
Recent evolutionary studies have established that a surprisingly large number of waders, waterbirds, and diving birds have evolved from a single, exclusive common ancestor, not shared with the ducks and geese. Thus, waterbirds provide a classic example of adaptive radiation—the evolutionary diversification of a broad array of functional ecological forms from a single common origin. The beaks of waterbirds have evolved a great diversity of shapes and sizes to gather food. Ibises probe in the muddy water of estuaries, swamps, and mangroves for invertebrate prey. The avocets use their delicate upturned bills like tweezers to grasp tiny invertebrate prey off the surface of the water. Hovering terns spot their prey and plunge down into the water to seize small fishes. Spoonbills draw their broad, flattened bills back and forth through the water to filter out both invertebrates and tiny fish. As if they were flying underwater, penguins chase fishes and squid at fantastic speeds propelled by their wings.
Excerpt from Birds, Abrams, 2021
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Flamboyance, Making of, 2020
Tim FlachMaking-of video of 'Flamboyance', by Tim Flach -
“Flamingos are waders and I decided I wanted to communicate that fact. I thought, let’s see if we can get them reflecting in the water while feeding. They are the only birds that can feed upside down and have specialised beaks that enable them to do so.
I wanted to go very stylised with this image, to be consistent with the rest of the project. We had already done a shoot with small ducks in the studio, floating in a small tray of water lined with black material, and I quite liked the way it was working. It was displaying the birds as they might display to each other. That gave us confidence to try a similar approach, but on a bigger scale. We decided to do the shoot in a barn, near to where the flamingos were being kept. We prepared a pool of water, around 15ftx18ft, which was lined with black plastic. Behind, I had this big sheet of velvet, around 18ft long, which is my general go-to background and sucks out any light.
When we put the flamingos in the water they settled quickly because they were being kept quite nearby and didn’t have the stress of a journey. They were more concerned with their own pecking order and were happy to stay in the middle of the water. I wanted to get some rippling in the water surface, but not so much that it broke up the snake-like reflection which gives that sense of intriguing abstraction. Too much ripple and the reflection breaks up, but too little and it’s not very interesting.
When lighting the birds, the challenge was to get the lighting coming across them without lighting the black material underneath. I used a couple of banks of light, fitted with honeycombs, that acted texturally as one light source. I also had to be careful that the black beaks didn’t disappear against the black background.”
Tim Flach
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