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Open a larger version of the following image in a popup: Dean West, Lincoln Rd, Miami Beach, 2026

Dean West Australian, b. 1983

Lincoln Rd, Miami Beach, 2026
Series: The Palms
Archival pigment print
147.3 x 147.3 cm
58 x 58 in
Edition of 3 plus 3 artist's proofs
121.9 x 121.9 cm
48 x 48 in
Edition of 6 plus 3 artist's proofs
96.5 x 96.5 cm
38 x 38 in
Edition of 9 plus 2 artist's proofs
61 x 61 cm
24 x 24 in
Edition of 25 plus 2 artist's proofs
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'Continuing my exploration of film noir and the power of the silhouette, earlier this year I turned my attention to Miami Beach’s iconic lifeguard towers. Stripped of their familiar iconic...
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"Continuing my exploration of film noir and the power of the silhouette, earlier this year I turned my attention to Miami Beach’s iconic lifeguard towers. Stripped of their familiar iconic color, the towers become a typology of architectural forms—each structure distinguished by its shape, proportion, and character, recalling the systematic studies of Bernd and Hilla Becher.

Photographed before dawn, each image was taken during astronomical twilight, when the first natural illumination of the horizon begins to overtake the city's ambient glow. I would set up in darkness and wait for the moment when the natural light begins to overpower the city's ambient glow behind me. In near-silhouette, the towers are reduced to their essential geometry, proportion, and presence."

____

"Poursuivant mon exploration du film noir et du pouvoir de la silhouette, j’ai tourné plus tôt cette année mon attention vers les emblématiques postes de secours de Miami Beach. Dépouillés de leur couleur iconique habituelle, ces postes deviennent une typologie de formes architecturales; chaque structure se distinguant par sa forme, ses proportions et son caractère, évoquant les études systématiques de Bernd et Hilla Becher.

Photographiée avant l’aube, chaque image a été prise durant le crépuscule astronomique, lorsque les premières lueurs naturelles de l’horizon commencent à prendre le dessus sur la lumière ambiante de la ville. Je m’installais dans l’obscurité et attendais le moment où la lumière naturelle commençait à surpasser la lueur de la ville derrière moi. Presque réduits à des silhouettes, les postes de secours se dépouillent jusqu’à leur géométrie essentielle, leurs proportions et leur présence."

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ECHO FINE ARTS

19 Boulevard Victor Tuby

06400 Cannes, France

OPENING HOURS

Wednesday - Saturday, 12 - 5pm

info@echofinearts.com

CONTACT

+33 (0)6 32 00 28 89

info@echofinearts.com

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