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Robert Farber
50 Years of Evolving Vision, Part I [ EXTENDED ] , 11 September - 6 November 2023

Robert Farber: 50 Years of Evolving Vision, Part I [ EXTENDED ]

Past exhibition
Open a larger version of the following image in a popup: Robert Farber, Natural Beauty Cover, 1994
Open a larger version of the following image in a popup: Robert Farber, Natural Beauty Cover, 1994
Open a larger version of the following image in a popup: Robert Farber, Natural Beauty Cover, 1994
Open a larger version of the following image in a popup: Robert Farber, Natural Beauty Cover, 1994

Robert Farber American, b. 1944

Natural Beauty Cover, 1994
Series: Iconic Nudes
Archival pigment print
76.2 x 101.6 cm
30 x 40 in
Edition of 10
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%3Cdiv%20class%3D%22artist%22%3ERobert%20Farber%3C/div%3E%3Cdiv%20class%3D%22series%22%3E%3Cspan%20class%3D%22artwork_caption_prefix%22%3ESeries%3A%3C/span%3E%20Iconic%20Nudes%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3ENatural%20Beauty%20Cover%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E1994%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EArchival%20pigment%20print%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E76.2%20x%20101.6%20cm%3Cbr/%3E%0A30%20x%2040%20in%3C/div%3E%3Cdiv%20class%3D%22edition_details%22%3EEdition%20of%2010%3C/div%3E

Further images

  • (View a larger image of thumbnail 1 ) Robert Farber, Evening Sunset Reflection and an Old Boat, France, 1982
  • (View a larger image of thumbnail 2 ) Robert Farber, Evening Sunset Reflection and an Old Boat, France, 1982
  • (View a larger image of thumbnail 3 ) Robert Farber, Evening Sunset Reflection and an Old Boat, France, 1982
  • (View a larger image of thumbnail 4 ) Robert Farber, Evening Sunset Reflection and an Old Boat, France, 1982
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'When I’m photographing nudes, I shoot totally spontaneously and for the moment. I seldom pre-plan. The environment, the light, the subject and how it all plays together dictates whether my...
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"When I’m photographing nudes, I shoot totally spontaneously and for the moment. I seldom pre-plan. The environment, the light, the subject and how it all plays together dictates whether my image will be pensive or provocative. Also, what’s important is capturing the best features of my subject. This all has to be in sync with the environment and my own sensitivities at the time. All of this contributes to a variation in the mood of my images, but it’s always captured through the same eye. I obscure the faces usually because I rather that there is more of a mystique, not a recognized person. It allows the viewer to use their own imagination and not relate them to a particular person."
R. Farber
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